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As to Pauline, she spent her whole time in working for and visiting those unfortunate emigrs within reach who were in poverty and distress.However, the tears of Mademoiselle dOrlans and the entreaties of her brother prevailed; and at the [439] last moment she got into the carriage leaving all her luggage behind except her watch and harp. Mme. de Genlis, however, had got hers so could supply her, for they could not wait to pack.
ONE:Those whose ideas of France in the eighteenth century are derived only from such books as Dickens Tale of Two Cities, or even from a casual acquaintance with a few of the histories and chronicles of the time, are apt vaguely to picture to themselves a nation composed partly of oppressed, starving peasants, and partly of their oppressors, a race of well-bred ruffians and frivolous, heartless women; all splendidly dressed, graceful, polite, and charming in their manners amongst themselves; but arrogant, cruel, and pitiless to those beneath them.

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TWO:[337]

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ONE:All the preliminaries were arranged by the families without anything being said upon the subject to the proposed bride, nor probably to the bridegroom either, and when everything was settled it was decided that now nothing was left to do but to consult the personal inclinations of the young [192] people, in preparation for which Pauline was informed in one of the usual family councils of her approaching introduction to her fianc.Mme. de Grammont wished him bon voyage, and then drew her sister back to the fire for a few last words. THREE:

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Flicit seems, however, to have always considered that she made a mistake, or, indeed, as she says, committed a fault, one of the greatest in her life, by doing so; if so, it does not appear to be a surprising one, as the plan certainly would have offered strong attractions and inducements even to a woman less vain and ambitious than she was, but [385] it is certain that it caused many calamities and exercised an evil influence for which no advantages could compensate. She left the h?tel de Puisieux before Madame was up in the morning, as she dreaded the parting, and as her apartment in the Palais Royal was not ready she was lodged in one that had belonged to the Regent, with a door into the rue de Richelieu. She nearly had an accident before she got out of the carriage, and felt low-spirited and unhappy, wishing herself back in her own room at the h?tel de Puisieux as she looked round the luxurious boudoir lined with mirrors, which she did not like at all, and which seemed associated with the orgies of the Regency, of which it had been the scene.tale en ce chateau sans crainte et sans effroias she sang these words she laid her hand upon [61] her heart and, turning to the Queens box, bowed profoundly. As this was in the beginning of the Revolution, there were many who wished to revenge themselves in consequence, and tried to force her to sing one of the horrible revolutionary songs which were then to be heard constantly upon the stage. She refused indignantly, and left the theatre. Her husband, Dugazon, the comic actor, on the contrary, played an atrocious part during the Revolution. Although he had been loaded with benefits by the royal family, especially the Comte dArtois, he was one of those who pursued them to Varennes. Mme. Le Brun was told by an eye-witness that he had seen this wretch at the door of the Kings carriage with a gun upon his shoulder.Among the Palais Royal set, it was the fashion to find fault with everything done by the royalists, to go as seldom as possible to Versailles and to pretend to find it a great bore when it was necessary to do so.CHAPTER I
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